Gone with the Wind

Orson Welles' last film has a lot of good stuff, but soufflé never rises

I’ve been meaning to talk about The Other Side of the Wind, the film recently stitched together from decades-old footage and shooting scripts by Orson Welles, for a while now, but I wanted to see first what kind of #MeToo angles people would run on it, because the picture really seems to be begging for them. Surprisingly few, it turns out; maybe this so…