Tuesday July 29, 2003

MOORE IS MORE. Michael Moore is one of the top hate-objects among wingers. So it is refreshing to see, in the midst of Kay S. Hymowitz's lengthy OpinionJournal attack on Moore, some passages in which the author addresses the question begged by most other, similar attacks: if Moore is such an evil spawn of Satan, how come he's so popular -- and not just with "trendy sophisticates in Cannes and Hollywood," as Hymowitz predictably notes, but millions of normal Americans in states Red as well as Blue?

Hymowitz allows how Moore is funny and folksy (or at least faux-folksy). And she also acknowledges -- and it's the only place I've seen this mentioned in the long, long canon of Moore antihagiography -- that Moore speaks to a nostalgia for that "populist's lost golden age" of the working class, before the age of endless layoffs; the days of the one-wage earner, two-car family, "where life was whole, people were genuine, and everything felt secure." She writes and quotes:

[Moore] evokes a vanished time, when laborers and corporate elites joined in a mutual spirit of loyalty and honest exertion. "My dad didn't live with this kind of fear," he has said of contemporary job instability. "The social contract then was, if you worked hard and the company did well, he did well."

This sounds reasonable. It's also one of the few stretches of Hymowitz's piece that is free of sarcastic dismissals of any implication that such a socially balanced work environment as Moore celebrates might be superior to the dog-eat-dog, Hobbesean nightmare into which America deeper descends every year.

Indeed, she implies that only a social misfit would want to live in the old, more-fully-employed America: "Though not without its appeal," she admits, "Mr. Moore's vision oozes with more 1950s nostalgia than a Loretta Young fan club." The cool kids embrace change! Hymowitz points out that people get bored with repetitive jobs -- "the mechanical repetition endured by the men and women who bolted thingamajigs to widgets on the assembly line" -- as if those who, in the Reagan era, were thrown off those lines and into chronic unemployment should have been grateful for the change of scenery.

As Hymowitz breaks it down, the death of manufacturing was not only unavoidable, but also class-neutral and even ultimately beneficent:

As cheap, well-made foreign cars flooded the market... companies had no choice but to cut costs and improve quality and productivity. They laid off workers, and organized those who were left into teams that had to take responsibility for the quality of their product. It wasn't just blue-collar heads that rolled. Restructuring, aided by waves of computerization, meant wiping out entire layers of management, a process that was bloody and sometimes deeply unjust....the fact is that many industries emerged from the carnage more competitive and better equipped to avoid layoffs in future recessions.

Well, speaking of nostalgia, the picture etched herein of American industry at the mercy of the Honda/Toyota menace does bring back the Lee Iacocca era, in which we were told that business "transformation" would save the American dream. Today, many of our former foreign competitors have conglomerated with American companies, but workers are still shit out of luck.

It seems to me this is the one hard nub Hymowitz and her crew can't break down. Yes, Moore is indulgent, and a prevaricator, and sometimes a hypocrite. But he knows that what he wants, and what a lot of us want, is attainable -- because it had been attained, in this country, only to be pissed away by a lot of greedy bosses, complaisant unions, and cynical politicians.

It's not nostalgia if you really think you can do it again. That's why Moore is, for all his kvetching, a positivist, and people love positivists -- ask Dale Carnegie! Which leaves his critics with the unenviable job of explaining to America why his happy vision should be resisted.