THE HACKMAID'S TALE.

The latest surge of Poors-Must-Learn-Morals-from-Their-Betters gush, inspired by the new Robert Putnam book but rooted in traditional Marriage Makes You Rich boilerplate, is best known by its David Brooks effusion, covered here. Since then we've had Ross Douthat and all manner of idiots shaking the scold-stick on this subject. But leave it to Megan McArdle to accelerate the stupid like a Hadron Collider:

There is one place this change might come from: Hollywood. Entertainment is a surprisingly powerful venue for articulating social norms, and if Hollywood decided that it had a social responsibility to promote stable families and changed its story lines accordingly, that might actually do some good. 

Yes, the Artist Formerly Known as Jane Galt wants private enterprise to pitch in with some free propaganda.

I'm not talking about sticking a few propaganda story lines into Very Special Episodes of some sitcom, which wouldn't do a darn thing. Rather, I'm saying that if Hollywood actually believed that married two-parent families were overwhelmingly optimal, that would naturally shape what they wrote, in a way that would in turn probably shape what Americans believe, and do.

Hang on -- this suggests that Hollywood product currently militates against marriage. Is that so? I must have missed the successful sitcoms "How I Met Your Baby-Momma" and "My Three Sons (from Separate Mothers)." And looking at last year's top-grossing films, I'm having a hard time figuring how they could have shoehorned marriage into movies about wizards and superheroes; maybe they could have had Katniss from the Hunger Games movies falter until a priest rushes in to marry her to some guy, like Popeye deriving strength from spinach.

Of course, McArdle's offer isn't serious --

But this is an inherently socially conservative message, and Hollywood is about the furthest thing you can name from socially conservative -- our entertainment industry tends to send socially conservative messages only accidentally, as it did with "16 and Pregnant." And there is nearly as much social distance between David Brooks and your average Hollywood show runner as there is between David Brooks and the kids whose lives he wants to change.

-- it's just more ressentiment for the regular crowd, who sometimes need help believing that social-net-shredding policies have less to do with the parlous state of the poor than evil Hollyweird cokewhores.

UPDATE. Hang on, asks Meanie-meanie, tickle a person in comments: "Hollywood who? Or is that a surname? Joe Hollywood from Detroit? Or maybe Frank Hollywood from Miami?" Tsk, Meanie -- it's a metonym for the cultural apparat -- you know, what such people used to call "Jews." Or maybe McArdle doesn't know this, and imagines herself handing out Operation Hitching Post slide decks to a bunch of guys who look like Robert Loggia, wear their shirts unbuttoned to the plexus, chomp fancy cigars, and produce all the movies.