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DrBDH's avatar

Having read a comparison of Liberace to the touring pianists of the 19th century, like Beethoven and Liszt, I went to see him on his last tour in his home state. He was the finest showman I’d seen since Frank Zappa. He carried the crowd along for two hours, swinging between romantic classical piano solos and unison Gershwin sing-a-longs. I finally understood what my grandmother saw in his weekly TV show we were forced to watch if we wanted to then see “Dragnet.” (We didn’t have a TV and had to watch hers.) No doubt it was too much of a whiplash for Dorothy to associate Liberace’s unique welcoming warmth and talent with a “perversion” she’d been taught to hate. But I don’t see a similarity between that refusal to accept an unacceptable truth about a man who brought so much happiness to so many, and the reprogrammable meatbags (Driftglass tm) who can be wound up and turned against anything the Republicans have chosen as the hate target of the day.

Ellis Weiner's avatar

Aren't there two aspects to any cult/crackpot belief? One, the thing you insist is true. The other, the malevolence/greed/evil/etc. of everyone and everything else (the media; the liberals; society) who insist you're wrong. Dorothy might have said about Liberace, "I just know it's not true." Her modern-day counterpart might say, "I know it's not true, and that Big Gay is advancing its vile agenda by trying to convince us otherwise."

The latter phenom therefore attracts both true believers and true haters, two different constituencies drawn to the same cause. The former have a priori romantic/religious/etc. needs. The latter get out of bed mad (for real reasons) and look for some kind of congenial outlet.

Also, Dorothy's dot matrix newsletter was barely a step up from the single-spaced mimeographed nutbar screeds taped to Greenwich Village light posts. Today everything looks legitimately published, produced, etc., and has that kind of McLuhanesque legitimacy.

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