THE BLOODY HORSE. I'm surprised at the restraint Tim Burton shows with Sweeney Todd. To be sure, there's plenty of swooping camera movement, acres of grime and gallons of blood, and many inventive openings-up of the stage play (the "By The Sea" number was my favorite of these, with the comically morose Sweeney planted like a black beach umbrella in Mrs. Lovett's resort fantasy). But Burton doesn't really own the property so much as do a creditable movie version of it.
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Tuesday January 15, 2008
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THE BLOODY HORSE. I'm surprised at the restraint Tim Burton shows with Sweeney Todd. To be sure, there's plenty of swooping camera movement, acres of grime and gallons of blood, and many inventive openings-up of the stage play (the "By The Sea" number was my favorite of these, with the comically morose Sweeney planted like a black beach umbrella in Mrs. Lovett's resort fantasy). But Burton doesn't really own the property so much as do a creditable movie version of it.